Everything about Com Die Larmoyante totally explained
Comédie larmoyante was a genre of
French drama of the
eighteenth century. In this type of sentimental comedy, the impending tragedy was resolved at the end, amid reconciliations and floods of tears. Plays of this genre that ended unhappily nevertheless allowed the audience to see that a "moral triumph" had been earned for the suffering heroes and heroines.
Thomas Heywood's masterpiece,
A Woman kilde with kindnesse (acted
1603; printed
1607), can be considered a forerunner of this genre.
In
Pierre-Claude Nivelle de La Chaussée's Mélanide, the genre is fully developed. Comedy was no longer to provoke laughter, but tears. The innovation consisted in destroying the sharp distinction then existing between tragedy and comedy in
French literature. Indications of this change had been already offered in the work of
Marivaux, and La Chaussée's plays led naturally to the domestic drama of
Diderot and of
Sedaine.
Louis-Sébastien Mercier considered himself a supporter of this genre.
By blurring the distinctions between comedy and tragedy, the
comédie larmoyante formed the basis for the subsequent genre known as
drame bourgeois, the form of realistic comedy heralded by
Denis Diderot's Le Fils naturel (published 1757, performed 1771).
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